JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response

You looking to find the "JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response" Good news! You can purchase JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response with secure price and compare to view update price on this product. And deals on this product is available only for limited time.

Price: $399.00    

Product Feature

• Camera Overload Protection - Audio Output Bracketing: The Riggy-Assist incorporates Audio Output Bracketing (patent pending) for camera overload protection
• Designed for Battery Life Efficiency: The Riggy-Assist uses a 9V battery and is a high-current device when all of the elements are in operation (phantom power, meter, etc). However, the Riggy-Assist has a number of features to allow you to optimize your battery life
• Cameras and Recorders for the Riggy-Assist: The Riggy-Assist is designed to be used with cameras which do not have manual control, meters, or headphones. The preamp adds AGC Disable, meters and headphones that are missing in the camera
• 2XLR input low-noise preamp, amplified mic level output (3.5mm stereo minijack)
• 4 Segment R/L meters (each) which can be calibrated to camera

Product Description

The JuicedLink RA222 Riggy-Assist Dual-XLR Preamplifier with Phantom Power is designed for cameras that don't have integrated audio meters, manual gain control, or a headphone output. The RA222 features two 4-segment meters which can be calibrated to the camera, an 1/8" mono headphone output and an AGC disable switch. The RA222 features 2 locking XLR inputs with low-noise microphone preamplifiers. Each channel includes a Mic/Line level switch, a Hi/Lo gain switch and a Phantom power switch. The onboard Phantom power voltage is selectable between 48V/12V. The inputs can also be summed mono, copying each input to both sides. The right channel can be completely powered down to conserve battery power if it is not needed. When engaged, the Audio Output Bracketing feature of the RA222 ensures that your audio inputs won't clip or distort. By placing the RA222's performance in mono and enabling the 16dB pad on the right channel, you end up with two signals with identical content, yet the right is recorded 16dB lower. This way if a sudden loud noise or a boomy portion of audio is recorded, you'll have a backup track with headroom in case the 0dB output clips. The RA222 Riggy-Assist is powered by a 9V battery. High capacity lithium-polymer rechargeable batteries can be used as well as alkaline. The low-battery indicator can be switched between alkaline or lithium-polymer threshold, so you can use either chemistry without leaving unnecessary capacity in the batte

JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response Review

Very good piece of equipment for the filming amateur. I originally bought the non - phantom unit and quickly learned that of your mic isn't self powered, you need this model.
Very versatile and my only regret was not plunking down for the three input model.

Most of the consumer Reviews tell that the "JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response" are high quality item. You can read each testimony from consumers to find out cons and pros from JuicedLink Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering, 20 Hz to 20 kHz Frequency Response ...

Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver)

You looking to find the "Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver)" Good news! You can purchase Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver) with secure price and compare to view update price on this product. And deals on this product is available only for limited time.

   

Product Feature

• A revolutionary new imaging system from Nikon, harmoniuously designed from the ground up
• The Nikon J1 is faster than you are with the world's fastest autofocus among cameras with AF
• Bring your images to life with Nikon's new Motion Snapshot
• Command your creativity with the simultaneous capture of still and Full HD video
• The Nikon J1 does the thinking for you with Nikon's new Smart Photo Selector

Product Description

For your very mobile lifestyle comes a completely new imaging system with freedom to create and express as never before. Highly compact and portable, the Nikon 1 J1 goes everywhere you go. Moments from your amazing world are captured using a highly responsive autofocus and super fast shooting speed. In one touch you can work in Full HD (1080p) movie record mode. A camera so versatile you can even snap photos while recording movies. Unleash your creativity with Nikon 1-offering a balance of high performance, advanced features, portability and a newly designed interchangeable lens system. Infuse your world with photos from every moment and connect as never before. FEATURES: Innovation in technology and design - Today, all it takes is a single imaging device to capture and share every moment of an incredible and connected life. Nikon brings an evolution in imaging technology, starting with a newly developed Nikon CX-format super high-speed AF CMOS sensor that powers every capture. Ensure image precision through the new, compact interchangeable lens system featuring image stabilization (VR II) and superior fast and quiet autofocus motors built on the NIKKOR heritage of optical excellence. Capture all the action - Not a moment is missed with a camera that keeps up with you! Always on the go, you know moments worth sharing can happen all the time. Don't let your creativity be hindered by slow focus speed; Nikon 1 J1 delivers an amazing 10fps speed in autofocus mode. Grab every turn of the swimmer as he leaps from the high dive and glides into the water below. Even fast moving action like this is rendered with amazing clarity-thanks to an incredible 73 point AF array continuously working to ensure everything is sharp and clear. Motion Snapshot brings photos to life - Certain snapshots from life evoke emotions that just cannot be retold wit

Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver) Review

There's been a lot of talk about Nikon's new 1 Series cameras, and a lot of disappointment over the CX sensor size, and the perceived lack of quality compared to Sony's larger APS-C NEX cameras. Many enthusiasts have been understandably frustrated by this move, wanting the best of all worlds - D3 quality in a point and shoot body. The J1 doesn't quite hit that mark, but if you understand what you're buying and play to the camera's strengths, it's a great piece of gear for the beginner, enthusiast, and the pro alike.

For clarification, I am primarily evaluating the J1 for its use *as a camera* - I won't touch much on the video or motion snapshot modes.

The Good:

* As a part-time professional, I bought this camera primarily because of its size, and the ability (hopefully) to use my collection of F-mount lenses in the future. In this respect, the J1 is fantastic. My first mirrorless purchase was a Sony NEX-3, and I was overall very happy with it, but the size of the lens still made carrying it around a real chore. Unfortunately, this really comes down to physics - there are physical constraints on how small you can design a lens with a 55mm focal length (concretely, it can't really be much less than 55mm in length). Fundamentally, this is where the CX format helps the J1 significantly. Due to its smaller sensor size, it is possible to construct equivalent lenses which are significantly smaller and lighter than for the APS-C format. The promise of being able to use standard-range high-quality zoom lenses (think a 17-55 f2.8, for instance) as mid-range telephotos is certainly intriguing. There is no such thing as a free lunch, and obviously the wide end and depth of field suffer here, but I am hopeful that Nikon or third party manufacturers will address that concern as much as they can. At the moment, however, the J1 with its kit lens is a camera that is, while not pants-pocketable, certainly coat-pocketable.

* The autofocus system is fantastic, especially in good light. I've been particularly impressed at the ability of the J1 to track a subject around the frame. I've been a big fan of Nikon's 3D tracking AF since I first saw it in action on the D300, but the J1 really takes it to a new level. The subject tracking mode is fast and very responsive, and once you've locked it on something, it does a very good job of staying with your targeted subject. Nikon claims that the J1 and V1 focus faster than the D3, and while I haven't used a D3 in a while, the J1 focuses fast enough (in good light) that I wouldn't doubt the claim.

* Image quality is actually quite good. I was fearful of how bad the noise would be on a smaller sensor, but I've been reasonably impressed with the results so far. JPEG results out of the camera are not stellar at high ISO - there's certainly some aggressive noise reduction going on - so you will certainly want to switch to RAW for best results. At present, ACR will not open J1 files, but Capture NX2 will. The ACR 6.6 beta results posted on dpreview.com are encouraging, being close to on-par with previous generation sensors (D90, D300, etc). Without access to the files in my normal workflow (Lightroom), it's hard for me to make a direct comparison on how much you can eek out of a RAW file on the J1 compared to other cameras, but so far I've been pleased.

UPDATE: Lightroom version 3.6 (beta) is out, and I've had a chance to play around with several of the images I've taken over the past few weeks. Again, I've been reasonably impressed. This is not a D3. With standard noise reduction in LR, I think the image quality is easily better than my D200 was, which given the size of the sensor is quite impressive. It is certainly better than the higher end point and shoots I've owned (Panasonic LX-2, Canon S90 - which to be fair are a couple of years old).

Things that could be improved:

* The interface. The camera tries to take care of a lot of things for you, and for the most part it does an ok job. If you're trying to access things like you would on a DSLR, you may have some problems. It would be nice to see Nikon update the firmware with the ability to reassign some of the buttons to tasks that are more useful in manual mode, but as with any wish-list feature, it's not something you should plan on happening if you're buying the camera. Overall, the interface isn't worse than the NEX-3, so I'm not displeased. I'd like things to be more accessible, but the camera is perfectly usable as it is.

* The high-speed electronic shutter setting is very, very restrictive with regard to the settings you can change. Things you have no control of if you want to use the high-speed capture: Program mode only (no aperture, shutter or manual), ISO (Auto 100-3200 only), metering (matrix only), focus mode (AF-A only), and focus tracking (area mode only). I was rather looking forward to using the high-speed mode, but frankly these restrictions make it pretty difficult to use with any kind of creative control.

* There doesn't seem to be a way to turn off the image preview after you take a picture, which is somewhat problematic if you are trying to capture a string of pictures. You can take a single shot, or a burst of pictures, but in either case you can't use the camera again until the preview goes away, which generally takes 2-3 seconds. This won't be a big deal most of the time for most people, but it does make capturing any kind of action problematic. Simply adding an option to turn this off in firmware would go a long way.

Things that you might care about, but aren't strictly speaking critical to being a camera:

* Video seems to require more light than stills - at least if you are using the 720p60 and definitely if you are using the high-speed video. High-speed is somewhat gimmicky, perhaps, but don't plan on using it indoors. There simply won't be enough light. The 720p60 video is nice - certainly smother than a lot of SLR and mirrorless video out there, including my experience with the NEX-3. I don't know that you're going to get broadcast quality, but things have come a long way in just a couple of years.

* The smart selector function seems to work fairly well, but since you can't see the images it throws away, it's hard to really know. I haven't used this function extensively, but when I have, I've been happy with the pictures it's kept.

Should you buy a J1? It depends. If you're intrigued, but not completely sure you need one, I might wait for the next generation. If you want to be able to carry a small, light camera that offers fairly good image quality - especially if you have a set of Nikon lenses - this would be a good choice. If you're a parent who wants to take pictures of your kids at their sports games, when paired with a longer range zoom, the Nikon J1 will get you some great results. If you want a camera that weighs half a pound, can fit in your pocket, has a 25x f2.8 zoom, and gives you noise-free images at ISO 204,800... you'll need to look somewhere else.

At the end of the day, the J1 is a compromise, and it doesn't really pretend to be otherwise. You won't get the low light performance you would in an APS-C camera, but you won't be carrying ten pounds of gear with you either. When buying the J1, my personal philosophy was the following: if I'm in a situation where my primary concern is image quality, I'll bring my pro gear along. Otherwise, I'll carry the J1, and thereby have the possibility of capturing scenes, albeit at reduced (though still acceptable) quality, because my camera is with me, instead of sitting at home.

Most of the consumer Reviews tell that the "Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver)" are high quality item. You can read each testimony from consumers to find out cons and pros from Nikon 1 J1 10.1 MP HD Digital Camera System with 10-30mm VR and 30-110mm VR 1 NIKKOR Lenses (Silver) ...

Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver

You looking to find the "Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver" Good news! You can purchase Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver with secure price and compare to view update price on this product. And deals on this product is available only for limited time.

Price: $396.13    

Product Description

Unlike most ribbon motors designed today with an offset ribbon the new Cascade FAT HEAD houses a hand-tuned ribbon element that incorporates the legendary symmetrical ribbon design. This design offers a true figure 8 pattern. The corrugated aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. This design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more. Specifications: Type: Ribbon (velocity) Microphone; Ribbon type & Dimensions: 99% Pure aluminum, 2.5 micron, 1 3/4" (L) X 3/16" (W); Polar pattern: Figure 8 Symmetrical design; Sensitivity: -56 db +/- 2 dB (0 dB=1V/Pa); Frequency response: 30 - 18,000 Hz (+/- 3dB); Output Impedance: <=200 Ohms; Recommended load impedance: >1000 Ohms; Max.SPL (1% THD @1000 Hz): 165 dB; Connector: 3-Pin male XLR; Size: Diameter: 3" (O.D. grill), overall length 6 1/2", 7/8"(O.D. body). Includes: FAT HEAD Stereo Pair Microphones, Aluminum case, Blumlein Stereo Adaptor Bar, 2 Premium suspension shockmounts, 2 Drawcord cloth storage pouches, 2 Micro-fiber cleaning cloths, Specifications and typical measurement report.

Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver Review

Cascade Fathead mics can sound great on violins, cellos, or anything that can
afford to lose a bit of top end when miked up close....
As an orchestra mic they give you the recording sound from the early part of the
last century, very warm :)
They have that extra mysterious, evocative blooming quality that can be missing
from more accurate mics.
Having the bar included is very helpful, the classic Blumlein pair is a great way to
achieve a sense of space and width.
Was so happy with these I bought a second pair, one gold, one silver, IMHO the
silver ones look slightly better, less gaudy.
I use mine to mic up rooms for ambience, and for anything that is a bit too bright.
Only thing I'm worried about is an accidental burst of phantom.... to avoid that,
I am saving up for a pair of Cloudlifter CL-2's, a signal boost that can also be
helpful as a phantom buffer.
So far noise and level has not been a problem, they work fine with my standard
preamps.
By the way, as an added physical protection I found that the MXL WS-002 foam
windscreen fits these mics just right :)

Most of the consumer Reviews tell that the "Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver" are high quality item. You can read each testimony from consumers to find out cons and pros from Cascade Microphones FAT HEAD Blumlein, Stereo Pair, Black/Silver ...

Leupold VX-3 2.5-8x36mm Duplex, Silver

You looking to find the "Leupold VX-3 2.5-8x36mm Duplex, Silver" Good news! You can purchase Leupold VX-3 2.5-8x36mm Duplex, Silver with secure price and compare to view update price on this product. And deals on this product is available only for limited time.

Price: $399.99 $399.90   

Product Feature

• Save from TheOutdoorPro, The Authorized Retailer for your sporting goods. Coupons Available!

Product Description

Leupold VX-3 2.5-8x36mm Riflescope Silver and Duplex Reticle

Leupold VX-3 2.5-8x36mm Duplex, Silver Review

What great light gathering. The 2.5 is great for the woods hunter. I use it for whitetales in Wisconsin where the shot could be close it tight cover, that where the 2.5 excels yet up to 8 is excelent it you get the opportunity to use the higher power. If you can spend a little more for this scope, you will be very satisfied.

Most of the consumer Reviews tell that the "Leupold VX-3 2.5-8x36mm Duplex, Silver" are high quality item. You can read each testimony from consumers to find out cons and pros from Leupold VX-3 2.5-8x36mm Duplex, Silver ...

Carl Zeiss Optical 8x56 BGA T Dialyt Binocular

You looking to find the "Carl Zeiss Optical 8x56 BGA T Dialyt Binocular" Good news! You can purchase Carl Zeiss Optical 8x56 BGA T Dialyt Binocular with secure price and compare to view update price on this product. And deals on this product is available only for limited time.

Price: $1,599.99    

Product Feature

• Made in Germany
• T* premium lens coatings for ultra-bright images
• 8x magnification coupled with 56mm objective lens provide an extra wide field of view and a stable image
• Classic rubber armoring for added ruggedness in the field

Product Description

The 8x56 B/GA Dialyt binocular remains a classic due to its 90%+ light transmission from T* coatings, classic rubber armoring for added ruggedness and its lightweight frame. With 8x magnification and 56mm objective lens this binocular is perfect for low-light observation and works well in marine situations, as well.

Carl Zeiss Optical 8x56 BGA T Dialyt Binocular Review

These binoculars give you a super clear image. Living in the world of HD lenses, most people would probably be hesitant to buy these because they are not HD but I have looked through both and I really cannot tell much difference between the two types. The light transmission these binoculars give is nothing short of total amazement. I love the performance these give and also love how comfortable they are to grip and hold. They collect light so well during low light situations such as twilight making it easy to see at near dark. A lot of this is due to the 56mm objectives coupled with low 8 power magnification. Also this being an older design binocular dating back to 1936 has a simpler prism system inside of it as compared to the newer more updated models of today which I understand is part of the reason for them having a little advantage on better light transmission over the newer models. Years ago I had a pair of Zeiss 7x42 Dialyt binoculars that I thoroughly enjoyed and ended up getting rid of them and have regretted it ever since especially now that they are discontinued. These 8x56 Dialyts that I have recently purchased are so very similar to my old ones with exception to the larger power and objective. Needless to say I will never let these go especially with them being the only roof prism Dialyt left that Zeiss still currently makes. These binoculars can only be had on a special order basis and it usually takes 8-10 weeks to get them. The dealer I bought these from just so happened to have a new pair on hand without me having to go through the wait. My guess is that Zeiss will eventually drop these in due time because most people are buying the more modern updated models. I would very highly recommend the 8x56 Dialyts to any one who likes having and using a high end binocular. You definitely will not go wrong. I also love the old nostalgic look these have.

Most of the consumer Reviews tell that the "Carl Zeiss Optical 8x56 BGA T Dialyt Binocular" are high quality item. You can read each testimony from consumers to find out cons and pros from Carl Zeiss Optical 8x56 BGA T Dialyt Binocular ...