Wednesday, July 31, 2013

Ikelite Underwater Housing for Nikon S9100

Ikelite Underwater Housing for Nikon S9100

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Price: $399.95    Updated Price for Ikelite Underwater Housing for Nikon S9100 now
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Product Feature

  • Package Includes: 1 x Ikelite Housing , 1 x Flat built in Port, 1 x #0110 Spare Main Housing O-Ring, 1 x #5020 Silicone Lubricant in 4 1cc Tubes, 1 x Flash Diffuser, 1 x Flash Deflector
  • Compatible Cameras: Nikon S9000
  • The housing is made out of Clear Polycarbonate which provides unobstructed view of the camera's information and control functions with visual confirmation of o-ring seal.
  • Depth Rated 60m (200ft). The housing "O" ring seal is a masterpiece in fail-safe simplicity compared to designs that require stuffing the "O" ring into a groove. You can see that the "O" ring is sealed.
  • The housing size and weight provides almost neutral buoyancy and superb handling underwater. Camera installation is quick and simple. The dependable controls are conveniently placed at fingertip, and kept water tight with the Ikelite pioneered Quad-Ring seal glands, one of the most reliable methods for sealing controls

Product Description

This Ikelite underwater housing for Nikon S9100 is ergonomic, durable, and completely corrosion free. Made of crystal clear polycarbonate and fully functional to a depth rating of 200 feet (60m)

Ikelite Underwater Housing for Nikon S9100 Review

Purchased this as already had the camera and wanted something for both scuba and snorkeling. Only have had an opportunity to use for one trip and the ocean was a bit murky so didn't get the full experience. But the whole system with the flash worked right out of the box with no issues e.g. no leaking. It was easy to set up and take pics but need more practice to get the best pictures. The top adjustment to change the mode needs a bit of adjustment to turn more easily. The lever for taking pics was easy to use.

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Tuesday, July 30, 2013

Audio Technica ATW 3110B UHF Wireless System - (Band C: 541.500 MHz to 566.375)

Audio Technica ATW 3110B UHF Wireless System - (Band C: 541.500 MHz to 566.375)

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Product Feature

  • 996 UHF frequencies in each UHF frequency band
  • Nine frequency scan groups simplifies selection of usable frequencies
  • True Diversity operation reducing dropouts
  • Advanced digital Tone Lock squelch blocks stray RF interference
  • Balanced and unbalanced audio output jacks

Product Description

The third-generation 3000 Series ATW 3110b wireless system provides the user with 996 selectable UHF frequencies and upgraded features to offer clearer sound and easier operation. By simplifying the selection of usable frequencies and increasing system reliability the ATW 3110b adds rock-solid, richly detailed high-fidelity audio for an unmatched wireless experience. Audio Technica ATW 3110b Features 996 UHF frequencies in each UHF frequency band Band C: 541.500 MHZ to 566.375 MHz (TV Channels 25 - 30) Band D: 655.500 MHz to 680.375 MHz (TV Channels 44 - 49) Band I: 482.000 MHz to 507.000 MHz Antenna power available for powered antennas and other in-line RF devices Nine frequency scan groups simplifies selection of usable frequencies True Diversity operation reducing dropouts Advanced digital Tone Lock squelch blocks stray RF interference Transmitter offers backlit LCD and dual-color LED Locking battery compartment with secure latch and robust design Ground-lift switch helps eliminate audible hum caused by ground loops Balanced and unbalanced audio output jacks UniPak transmitter includes Super Hi-Z input� to match Guitar Impedence The ATW 3110b wireless system includes the ATW R3100b receiver and ATW T310b UniPak transmitter that is compatible with a wide range of wireless mics or an Audio Technica wireless guitar cable for versatile system operation and uses an illuminated transmitter screen for clear reads on dark stages. The 3-position sliding cover on the transmitter's control panel prevents accidental shut-off or channel-switching while an upgraded locking battery compartment provides a more secure latch and more robust design. The 3000 series wireless features a rugged metal chassis with a slim ergonomic design.

Audio Technica ATW 3110B UHF Wireless System - (Band C: 541.500 MHz to 566.375) Review

I had to purchase another wireless system and new I would'nt be disappointed with this 3000 series since I already have 6 others, working perfectly.
100% recommended!

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Monday, July 29, 2013

On-Q Selective Call Video Door Unit, Brushed Stainless

On-Q Selective Call Video Door Unit, Brushed Stainless

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Product Feature

  • Crisp color image also performs well in low-light conditions
  • Includes up to 20 digital door tones
  • Works with Selective Call Intercom System

Product Description

Housed in an attractive weatherproof finish, this innovative door unit includes a weather-resistant camera to enable front door monitoring. When integrated with the On-Q camera system, a button press enables the image from the door unit camera to appear on LCD screens or other camera viewing devices throughout the home.

On-Q Selective Call Video Door Unit, Brushed Stainless Review

Not sure what the other review is referring to, but I have this unit installed on my house and it works great, very wide angle view. After people ring the door bell, I can hear what they are saying as they wait, very funny stuff.

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Sunday, July 28, 2013

Arturia V Collection 3 - boxed

Arturia V Collection 3 - boxed

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Product Feature

  • Features the accurate analog sound of the legendary hardware instruments for a fraction of the price; Prophet V, Jupiter-8 V, Oberheim SEM V, Wurlitzer V, TR808 emulations and many more
  • 9 legendary analog synthesizers, 1 electric piano and 30 classic drum machines
  • More than 400 high quality and innovative sounding presets for each instrument
  • Can be used as a stand-alone application or as a plug-in within your sequencer
  • 32bit/96kHz resolution with TAE?, Arturias proprietary technology, guarantees the sound recreations are as pure and fat as the original

Product Description

Whether you use Arturia V Collection 3 virtual synth bundle to fatten up your studio recordings or pump up your stage shows, you're going to fall in love with the history-rich set of sounds included here. So, just what vintage synths come with the Arturia V Collection 3? Here's the quick list: Mini V, Modular V, ARP 2600 V, CS-80 V, Prophet V, Jupiter-8 V, Oberheim SEM V, and Arturia's own Analog Laboratory. You'll also get primo electric piano sounds from the Wurlitzer V, and big fat vintage drum sounds courtesy of Spark Vintage Drum Machines. Like we said before, these are models of the hottest analog-modeled synths in Synth Land. And with the Arturia V Collection, they're yours for the taking. What's cool, though, is Arturia merges the sonic past with the modern present. You can navigate your way through tons of patches using an advanced patch browser. And while the analog "core" of each instrument is here for you to get tweaky with, Arturia even threw in built-in effects and tons of presets to serve as launching points for your own creative adventures.

Arturia V Collection 3 - boxed Review

I held off buying the Aruria synths due to the horrible experiences a lot of people have had over the years with their copy protection. I found a really god sale on the v3 collection, so I jumped on it. Previous versions required a USB key, and they now use a virtual key. So far I have not had any issues.

The only issue I have had so far, and it is due to my MacBook being a 2010 model and the processor it has. Some of the Prophet synth patches take a lot of CPU power to process, and I get some clipping and breakup on them after a few minutes. If you use the included Analog Laboratory, which includes many (maybe all?) of the patches fom the separate synths in one interface, you can sort the patches based on the CPU intensity. They use a scale of one to five, with five being harder on your CPU and one being a piece of cake. I have 8 gb of ram, so that's not the problem.

I do not own any of the actual synths represented in this collection, and most people do not these days, so I can't give any apples to apples comparisons as to their faithfulness to the originals. I do own several soft synths on y MacBook and my iPad, and I can say the Arturia collection is going to be one of my favorites. I use Kontakt, Reaktor, Absynth, FM8, Alchemy, DCAM Synth Squad and a few other soft synths. If you love that vintage analog sound, then you will be in heaven, as the Arturia synths capture that sound as none of the others have for me so far. As far as I can tell, most of the virtual synths here have the same controls as the original, and I have been able to follow some patch recipes from old keyboard magazines and have great results on these virtual versions.

The synths have standalone versions for performing, as well as vst versions for most popular DAWs. There are well over a thousand patches here, all sorted by type and the designer, so if you can not get any inspiration out is Arturia collection, I don't know where you will find it.

If you are into dub step and cutting edge noise, then I'd probably look elsewhere.

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Saturday, July 27, 2013

Nikon D2H Pro Digital SLR Camera (Body Only)

Nikon D2H Pro Digital SLR Camera (Body Only)

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Product Feature

  • 4.1-megapixel sensor captures detail to create 12-by-15-inch photo-quality prints
  • Compatible with AF Nikkor lenses
  • Continuous shooting mode; 11-sensor autofocus
  • Store photos on CompactFlash (CF) memory cards (sold separately)
  • Powered by EN-EL4 rechargeable Lithium-ion battery (included with charger)

Product Description

2/8/200615-19-32. Nikon

Nikon D2H Pro Digital SLR Camera (Body Only) Review

I have been working for a major daily newspaper in Baltimore for 2 decades. Perhaps that will qualify me as an expert in photography. I have been shooting digital imagery since the late 1990s. Maybe that qualifies me as an expert in digital photography. This may be long- winded, but it's extensive and can be useful.

I received the Nikon D2H camera -- 2 bodies total -- over one year ago. I think I got them shortly after the D2H system was released in 2003. Since then, I have used them to shoot images of all types -- documentary, sports, daytime, available light, flash, and dead- of- night -- for the paper I work for. This is the only camera I work with.

First, please read the manual. There is a ton of information there, and the information is terrific to begin with. The D2H is highly- configurable, with screen after screen that you can set for your own specific use (resist lending the camera to anyone for a long period of time, for your camera may be returned with many of your settings changed so much that it acts like a thoroughly different camera).

I'll just punch right in to the way it feels. The camera is a rather heavy beast, and for some, there can be an amount of shoulder or neck fatigue when using it for hours per day, like I do. But the camera feels well in hand and the controls are easy to move through. I've long since given up using any camera bag. All I have are a fanny pack for a 14mm, 55mm, teleconverters and 2 extra camera batteries and flashes clipped to its belt. And the D2H's hold the 17-35mm Nikon and the 80-200mm Nikon one- touch or the Sigma 120-300mm 2- touch.

Shooting is a breeze. The batteries let you shoot long before the need to recharge. I have my D2H set on ISO 200 or 400 most of the time and sacrifice shutter speed for lower ISO as often as I can, because the higher ISOs bring digital noise and a loss in color saturation. Just today, I purchased digital noise plug ins for Photoshop to limit this, and that's a wonderful thing to invest in with this camera when you must shoot action photography with no flash at ISO 800 and above.

I now have little problems with capturing images in even barely- limited lighting. I recently shot stars and a plane wing from my seat of an Airbus at 36,000 feet over the Pacific at 30 seconds wide open @ f/ 2.8, and it looks tons better than night shots via the D1H, which lacked the internal digital noise filter. That filter kicks in at around 1/2 second and longer exposures, and can make you wait as long as your image you've shot to strip your long exposure of much of the digital noise. When you shoot this way (and in general), don't simply react by cranking up ISO because you will not be happy with your results.

The camera can be loud. At over 7 frames per second, it can make you obvious in a quiet room. Shooting sensitive situations can be testy, so limit your shooting to single frames. I wish this camera had an option to silence this camera, but since the mirror has to raise and lower, there's no chance to do this.

Am I happy with the D2H? Definitely, yes. Are there improvements that can be made? Yes. But the benefits outweigh the drawbacks. People have been bailing out of using the Nikon system and going Canon, which has some incredible gear, I won't deny that. But instead of simply giving up on your system of equipment, learn how to use the D2H well and you'll be much happier than ever. And that means you should push its qualities to the max while respecting its limitations.

For instance, white balance. This can be the best thing for you, or the worst thing you've ever dealt with, depending upon how you approach it. Daylight, grey skies, dusk and dawn are easy, because you can set the camera to daylight, flash, shadow (for dusk and dawn times) and even the fluorescent and incandescent tend to be right in the ballpark. But the horrible mixed light or the street lamps that glow blue/green or orange- red from mercury vapor can be the death of an image if you don't properly use white balance. Preset white balance is king, here. I can get grey, black and white when I preset in mercury vapor light. And I used the preset for any light that the auto white balance setting can't figure. There is also a setting to dial in kelvin temps as well! If you do this (and I can go on for miles here), you're on your way. So, with trying this D2H, or considering it, read through some of the digital D2H forums and ignore the posts that slam the camera without giving instances. Generally, those who pan the camera have not tried to understand it. I can bang off images to disprove where they suggest this camera will fail. When you have decent light, you'll have a decent image. But when you try to use it without learning how you can maximize the system, you will come about shooting images that are terrible and unprintable.

In closing, I have not been paid by anyone, I have no Nikon stock and have no outside interest in writing this except that I'm giving the D2H credit where it's long overdue.

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Friday, July 26, 2013

Elite Screens ER138H1-Wide SableFrame Fixed Projection Screen (138? Diag. 2:35:1 Ratio 54?Hx126.9?W)

Elite Screens ER138H1-Wide SableFrame Fixed Projection Screen (138? Diag. 2:35:1 Ratio 54?Hx126.9?W)

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Product Feature

  • 2:35:1 Aspect Ratio; Diagonal Size: 138"; View Size: 54"Hx126.9"W; Overall Size: 58.7"Hx131.7"W
  • CineGrey 1.0 flat-tensioned screen material designed to enhance black levels while minimizing loss in color reproduction.
  • 2.36" aluminum contour frame surfaced with black velvet to enhance picture contrast and absorb light overshoot.
  • Slide-on wall mount is horizontally adjustable for easy centering.
  • Designed for 720P and 1080P Home Cinema Projectors.

Product Description

The SableFrame from Elite Screens is an entry-level fixed frame screen for today's home cinema 720p and 1080p projectors. It's easy to assemble and installs in minutes. The black velvet-surfaced 2.36 Inch aluminum frame enhances your wall's overall appearance and absorbs projector light overshoot for crisper images. Choose from three available screen materials. The highly versatile CineWhite Gain 1.1 flat tensioned screen material provides a 160-degree viewing angle for a satisfying picture from nearly anywhere in the room. The AcousticPro1080P2 screen material delivers optimal color neutrality and is designed for 1080p projectors. CineGrey (Tension High Contrast Grey) is designed for low contrast DLP and LCD Home Cinema Projectors. Its superior flatness makes the CineGrey ideal for home theater use. It enhances black levels while minimizing loss in color reproduction. Adjustable fix plates provide equal tension over the entire projection surface, while sliding wall mounts ensure the installation is properly centered.

Elite Screens ER138H1-Wide SableFrame Fixed Projection Screen (138? Diag. 2:35:1 Ratio 54?Hx126.9?W) Review

I had a 110 inch Carada at my old house - a great screen, great company - but when it came time to put a screen in my new house I decided to take a chance, save some bucks (hey, new houses are expensive) and try this Elite based on reviews here and over at AVSForum. I'm pretty darn pleased with the end result; using the same projector (currently an Epson 8350) this screen looks just as good as my 1.4 gain Carada did, at about a third of the price (and cheaper shipping too). If you are looking for a quality screen that will help your PJ deliver an excellent picture then this Elite does the job.

I was also impressed with how this screen was packed for shipping. Somewhere in China, a young MBA sat down at the factory that makes and packs this thing and explained in great detail how spending X in up front packing costs would reduce Y in later damage claims. This advice (I assume) was taken to heart because this thing is packed like it is being sent off to war. Prodigious amounts of foam, straps, and hard plastic tubes you could ship an artillery shell in are all present. Should young Jimmy, pulling a second shift down at the docks, have one too many and confuse the left pedal of his forklift with the right, thus driving the blades directly in to the box this screen ships in, I would place better than even odds that it would survive to be hung on someone's wall. That's how well it was packed.

Now for the caveats:

First, having come from the Carada, I didn't realized how spoiled I was when it comes to installation - the Carada's frame is 4 pieces, machined to the nth degree so they fit together easily and perfectly, while the screen itself is secured via many easy to use snaps. If you have a screwdriver handy and any skill at turning it you'll have that screen assembled and ready to go in 10 minutes.

That is not the case with the Elite. Hey, you get what you pay for, and you should only have to assemble it once, right? Just be aware that it's going to take some time, patience (supplanted with beer) and a prodigious amount of swearing to get the job done. One of the reasons this screen is so cheap (and cheap to ship, packing notwithstanding) is because the top and bottom frame pieces are shipped in two parts. In addition to having to assemble this bit (which is easy to do, but hard to master, because you have to be very careful about lining the pieces up right and screwing the bracket in the correct order) it leaves a small but noticeable seam in the top and bottom part of the screen. It's not easy to see (you won't see it sitting down) but it's there if you look. If you are the kind of person bothered by this - you know who you are - then look elsewhere.

The parts are also not machined particularly well, in fact several of the screw holes in mine still had the aluminum cutouts in them, requiring a screwdriver to punch out/remove. I had a fun time getting all the corner pieces inserted correctly, and then lined up so the frame fit together at right angles. Swearing, beer, and a rubber mallet got the job done in the end.

One of many things to watch out for - the "black velvet" look of the frame, which does look very good by the way, is some kind of spray-on felt deal, which attracts pet hair like you wouldn't believe. If you have pets, and you are installing this on a carpeted floor, vacuum first, and vacuum well.

Finally, the screen itself is installed via some plastic tubes you stick around the edges, which are then inserted in to a groove in the frame, which are then held in place by little plastic tabs - about a million of them, if I counted right (the beer might have skewed this total). Add to this the fact that the screen needs to stretch, so by default it is smaller than the inside area of the frame at first, and you are in for a fun afternoon. All I can say is follow the directions on tab order *exactly* and it'll get done.

The good news is, once I had it all up and going, it looked good, the screen itself was tensioned right - no creases, sags, or folds to be seen - and it ended up looking good on my wall, doing a solid job of reflecting the picture my PJ was blasting it with back to my eyeballs.

You can get a better machined screen that looks just as good if not better, but for a far higher price. If you are looking for a budget screen this one does the job - just have a six pack handy, and maybe a buddy, for the install.

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